Movimento Hare Krishna, contracultura e música popular
Artigo em periódico, Debates, 2017

Movimento Hare Krishna, contracultura e música popular

Por: Debora Baldelli
Palavras-chave: Música popular, Movimento de contracultura, Movimento Hare Krishna

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$eEste artigo procura debater a relação entre o movimento de contracultura dos anos 60, nos Estados Unidos da América e a música popular como fundamentais para o estabelecimento da prática espiritual propagada pelo Movimento Hare Krishna. O cenário cultural e político em que o Movimento surge nos Estados Unidos da América é caracterizado por uma abertura à filosofia hindu e por uma busca por novos estilos de vida entre os jovens. Os movimentos sociais e culturais dos anos 60 e o movimento da contracultura criaram o contexto ideal para o lançamento desta, assim como de outras propostas de espiritualidade e religiosidade originárias da Índia. O envolvimento do líder da ISKCON (Associação Internacional para a Consciência de Krishna) com bandas como os The Beatles e com ícones da contracultura como Allen Ginsberg foram fundamentais para a sua propagação como prática espiritual e alternativa de vida para a época, culminando na organização de um festival chamado “Mantra Rock Dance”, em São Francisco, marco importante, tanto na propagação da prática, como na relação entre o Movimento Hare Krishna, o movimento da Contracultura e a música popular.

Hare Krishna Movement, counterculture and popular music

This article seeks to discuss the relationship between the counterculture movement of the 1960s in the United States of America and popular music as fundamental for the establishment of the spiritual practice propagated by the Hare Krishna Movement. The cultural and political scene in which the Movement emerges in the United States of America is characterised by an openness to Hindu philosophy and a search for new lifestyles among young people. The social and cultural movements of the 1960s and the counterculture movement created the ideal context for the launch of the Hare Krishna spiritual practice, as well as other proposals for spirituality and religiosity from India. The involvement of the ISKCON (International Society for Krishna Consciousness) leader with bands such as The Beatles and counterculture icons such as Allen Ginsberg was instrumental in spreading its spiritual practice and alternative life proposal at that time. This involvement culminated in the organisation of a festival called Mantra Rock Dance, in San Francisco, a significant milestone both in the propagation of practice and in the relationship between the Hare Krishna Movement, the Counterculture movement
and popular music.

CategoriaDebates
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IdiomaPortuguês
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TipoArtigo em periódico
CódigoDEBATES2017N19A5
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